Shiver by Lisa Jackson
Mystery, 2007, 512 pgs
Read : 6/08
Book Club : FL-Mystery BC (5/08)
Ratings (mine / Amazon) : 4.0 / 4.0 (5 best)
Recommendation: I enjoy Lisa Jackson's mysteries and would recommend this book to others.
Summary : From Publishers Weekly
Set in pre-Katrina New Orleans, the new romantic thriller by bestseller Jackson, her first to be published in hardcover, fits all the usual pieces into all the usual holes. A psycho sexual serial killer stalks victims connected to an insane asylum, shut down 20 years earlier but still standing in all its creepy abandonment. Abby Chastain, a portrait photographer on the rebound from a bad divorce, is trying to wean herself off men. Det. Reuben Montoya, the virile, not-by-the-book cop (last seen in 2002's Cold Blooded), is assigned to track down the serial killer. Along the way, Montoya develops—against his better judgment—a soft spot for the libido-tingling Chastain, now in peril because her mother was either murdered or committed suicide at the old asylum just before it closed. Fans of the prolific Jackson (Fatal Burn) should be pleased, but those unfamiliar with the conventions of romance fiction should be prepared for characters who "growl" rather than simply "say" and descriptions of physical beauty along the lines of a "body that wouldn't quit."
Monday, August 25, 2008
Sunday, March 9, 2008
People of the Book
People of the Book by Geraldine Brooks
Fiction, 2008, 372 pages
Ratings: 4.0 (Amazon 4.0)
Recommended by: Book Reviews - Book Pages
Summary :
Amazon Significant Seven, January 2008: One of the earliest Jewish religious volumes to be illuminated with images, the Sarajevo Haggadah survived centuries of purges and wars thanks to people of all faiths who risked their lives to safeguard it. Geraldine Brooks, the Pulitzer Prize-winning author of March, has turned the intriguing but sparely detailed history of this precious volume into an emotionally rich, thrilling fictionalization that retraces its turbulent journey. In the hands of Hanna Heath, an impassioned rare-book expert restoring the manuscript in 1996 Sarajevo, it yields clues to its guardians and whereabouts: an insect wing, a wine stain, salt crystals, and a white hair. While readers experience crucial moments in the book's history through a series of fascinating, fleshed-out short stories, Hanna pursues its secrets scientifically, and finds that some interests will still risk everything in the name of protecting this treasure. A complex love story, thrilling mystery, vivid history lesson, and celebration of the enduring power of ideas, People of the Book will surely be hailed as one of the best of 2008.
Favorite Passages :
This book weaved a story around the history of the book, the "Sarajevo Haggadah", an illustrated manuscript dating back to the middle ages (origin @1350 in Barcelona) and the life of the fictional person sent to restore it the spring of 1996.
The first passage is from a conversation between the priest in charge of "removing the corrupting influence of the Jews" at the time the the Inquisition and a Rabbi. The priest wanted the rabbi to have the Jewish publishing houses to censor themselves, to which the priest replies:......(page 156) ....And I will say nothing to the printing house, as my conscience requires me. Censura praevia or censura repressiva, the effect is the same. Either way, a book is destroyed. Better you do it than have us so intellectually enslaved that we do it for you."
Second passage is after the protagonist, Hanna, in a conversation with her mother after she learns, at the age of 30, that her father is a famous author. Growing up, she knew nothing of her father and had a very sterile, strained relationship with her mother. She continued to try to maintain contact until she learned her mother, a famous neurosurgeon, had let her father die of a "bleeder" after surgery for a tumor, because he would have been blind and the mother thought he would not have wanted to live if he were blind. After the discussion where when she learned this......(page 345) I don't see her anymore. We don't even go through the motions. Orzen had been right about one thing: some stories just don't have happy ending." The passage really made me ponder this idea ! ! !
Fiction, 2008, 372 pages
Ratings: 4.0 (Amazon 4.0)
Recommended by: Book Reviews - Book Pages
Summary :
Amazon Significant Seven, January 2008: One of the earliest Jewish religious volumes to be illuminated with images, the Sarajevo Haggadah survived centuries of purges and wars thanks to people of all faiths who risked their lives to safeguard it. Geraldine Brooks, the Pulitzer Prize-winning author of March, has turned the intriguing but sparely detailed history of this precious volume into an emotionally rich, thrilling fictionalization that retraces its turbulent journey. In the hands of Hanna Heath, an impassioned rare-book expert restoring the manuscript in 1996 Sarajevo, it yields clues to its guardians and whereabouts: an insect wing, a wine stain, salt crystals, and a white hair. While readers experience crucial moments in the book's history through a series of fascinating, fleshed-out short stories, Hanna pursues its secrets scientifically, and finds that some interests will still risk everything in the name of protecting this treasure. A complex love story, thrilling mystery, vivid history lesson, and celebration of the enduring power of ideas, People of the Book will surely be hailed as one of the best of 2008.
Favorite Passages :
This book weaved a story around the history of the book, the "Sarajevo Haggadah", an illustrated manuscript dating back to the middle ages (origin @1350 in Barcelona) and the life of the fictional person sent to restore it the spring of 1996.
The first passage is from a conversation between the priest in charge of "removing the corrupting influence of the Jews" at the time the the Inquisition and a Rabbi. The priest wanted the rabbi to have the Jewish publishing houses to censor themselves, to which the priest replies:......(page 156) ....And I will say nothing to the printing house, as my conscience requires me. Censura praevia or censura repressiva, the effect is the same. Either way, a book is destroyed. Better you do it than have us so intellectually enslaved that we do it for you."
Second passage is after the protagonist, Hanna, in a conversation with her mother after she learns, at the age of 30, that her father is a famous author. Growing up, she knew nothing of her father and had a very sterile, strained relationship with her mother. She continued to try to maintain contact until she learned her mother, a famous neurosurgeon, had let her father die of a "bleeder" after surgery for a tumor, because he would have been blind and the mother thought he would not have wanted to live if he were blind. After the discussion where when she learned this......(page 345) I don't see her anymore. We don't even go through the motions. Orzen had been right about one thing: some stories just don't have happy ending." The passage really made me ponder this idea ! ! !
Wednesday, February 20, 2008
Divisadero
Divisadero by Michael Ondaatje
Fiction, 2007, 273 pages
Rating: 4.0 (4.0 Amazon)
Book Club: Naples Critics Choice - February, 2008
Summary: From Publishers Weekly
Ondaatje's oddly structured but emotionally riveting fifth novel opens in the Northern California of the 1970s. Anna, who is 16 and whose mother died in childbirth, has formed a serene makeshift family with her same-age adopted sister, Claire, and a taciturn farmhand, Coop, 20. But when the girls' father, otherwise a ghostly presence, finds Anna having sex with Coop and beats him brutally, Coop leaves the farm, drawing on a cardsharp's skills to make an itinerant living as a poker player. A chance meeting years later reunites him with Claire. Runaway teen Anna, scarred by her father's savage reaction, resurfaces as an adult in a rural French village, researching the life of a Gallic author, Jean Segura, who lived and died in the house where she has settled. The novel here bifurcates, veering almost a century into the past to recount Segura's life before WWI, leaving the stories of Coop, Claire and Anna enigmatically unresolved. The dreamlike Segura novella, juxtaposed with the longer opening section, will challenge readers to uncover subtle but explosive links between past and present. Ondaatje's first fiction in six years lacks the gut punch of Anil's Ghost and the harrowing meditation on brutality that marked The English Patient, but delivers his trademark seductive prose, quixotic characters and psychological intricacy.
Fiction, 2007, 273 pages
Rating: 4.0 (4.0 Amazon)
Book Club: Naples Critics Choice - February, 2008
Summary: From Publishers Weekly
Ondaatje's oddly structured but emotionally riveting fifth novel opens in the Northern California of the 1970s. Anna, who is 16 and whose mother died in childbirth, has formed a serene makeshift family with her same-age adopted sister, Claire, and a taciturn farmhand, Coop, 20. But when the girls' father, otherwise a ghostly presence, finds Anna having sex with Coop and beats him brutally, Coop leaves the farm, drawing on a cardsharp's skills to make an itinerant living as a poker player. A chance meeting years later reunites him with Claire. Runaway teen Anna, scarred by her father's savage reaction, resurfaces as an adult in a rural French village, researching the life of a Gallic author, Jean Segura, who lived and died in the house where she has settled. The novel here bifurcates, veering almost a century into the past to recount Segura's life before WWI, leaving the stories of Coop, Claire and Anna enigmatically unresolved. The dreamlike Segura novella, juxtaposed with the longer opening section, will challenge readers to uncover subtle but explosive links between past and present. Ondaatje's first fiction in six years lacks the gut punch of Anil's Ghost and the harrowing meditation on brutality that marked The English Patient, but delivers his trademark seductive prose, quixotic characters and psychological intricacy.
Tuesday, February 19, 2008
The Winter of our Discontent
The Winter of Our Discontent by John Steinbeck
Fiction, 1961, 276 pages.
Rating: 4.0 (4.5 Amazon)
Book Club: FL Novel Night - February, 2008
Summary:
Google Books: A New Englander learns the bitter lesson that it is not possible to be a little dishonest
Atlantic on-line: In The Winter of Our Discontent, John Steinbeck turns for the first time in his versatile career to the East Coast for his setting and character. Bay Hampton, where on Good Friday morning his new story begins, could be any small seaport on Long Island or on the coast between New York and Boston. It is a village once famous for its Yankee skippers and sea-plucked fortunes, now being run by the new blood from Ireland and Italy. Ethan Allen Hawley, whose name echoes the past, is a gay, unaggressive spirit working as a clerk for Alfio Marullo; like his father before him, Eth has lost the acquisitiveness of his forebears, and with it what remained of family fortune. At the age of thirty-six all he has left is the old Hawley place, a couple of frankly envious children, and the nest egg of $6500 which his patient, pretty Irish wife, Mary, inherited from her brother.
The meaning of Good Friday was burned into Ethan as a boy, and it is ironic that on this day a series of small provocations -- a bribe offered and rejected, a fortuneteller at her cards, a remark of Mary's that prodded under the skin -- should startle him from his rut and even launch him on a new career. Eth lends himself to the conspiracy of events in such a human, doubting-Thomas way that before he knows it he is in up to his knees. He has two charming accomplices in Margie and Mary, the one tempting, the other pushing, and the gradual debasement of his honesty is absorbing and rather shocking to watch. It all happens to so effortlessly.
That his years at Harvard and his prowess in World War II should have left Ethan so feckless and so incompetent must be taken on faith; these phases of his career are touched so lightly as to be superficial, but what is genuine, familiar, and identifiable is the way Americans beat the game: the land-taking before the airport is built, the quick bucks, the plagiarism, the abuse of trust, the near theft, which, if it succeeds, can be glossed over -- these are the guilts with which Ethan will have to live in his coming prosperity, and one wonders how happily. John Steinbeck was born to write of the sea coast, and he does so with savor and love. His dialogue is full of life, the entrapment of Ethan is ingenious, and the morality in this novel marks Mr. Steinbeck's return to the mood and the concern with which he wrote The Grapes of Wrath.
Favorite Passages:
Steinbeck has a way with words. There are several passages which I marked as I was reading this book.
pg 51....(Ethan Hawley about Mary) When she had gone up to the bathroom, I put my note to her in my pocket. And I still didn't know. Does anyone ever know even the outer fringe of an other? What are you like in there? Mary -- do you hear? Who are you in there?
pg 61.....(Ethan about Margie Young-Hunt) I had never seen her before. I wonder how many people I've looked at all my life and never seen. It's scary to think about. Point of reference again. When two people meet, each one is changed by the other so you've got two new people. Maybe that means ---hell, it's complicated. I agreed with myself to think about such things at night when I couldn't sleep. Forgetting to open on time scared me. ......
pg 70....(Ethan) I remember thinking how wise a man was H.C. Anderson. The king told his secrets down a well, and his secrets were safe. A man who tells secrets or stories must think of who is hearing or reading, for a story has a many version s as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure......
pg 257.....(Mr. Baker looking at Ethan after learning Ethan owned Danny's property) When the son of a bitch looked at me there was fear in him. He saw someone he hadn't known existed. It took him a moment to adjust to the stranger, but he was good. He adjusted.
pg 276...(Ethan after deciding not to commit suicide..about Ellen) I had to get back -- had to return the talisman to its new owner. Else another light might go out.
Fiction, 1961, 276 pages.
Rating: 4.0 (4.5 Amazon)
Book Club: FL Novel Night - February, 2008
Summary:
Google Books: A New Englander learns the bitter lesson that it is not possible to be a little dishonest
Atlantic on-line: In The Winter of Our Discontent, John Steinbeck turns for the first time in his versatile career to the East Coast for his setting and character. Bay Hampton, where on Good Friday morning his new story begins, could be any small seaport on Long Island or on the coast between New York and Boston. It is a village once famous for its Yankee skippers and sea-plucked fortunes, now being run by the new blood from Ireland and Italy. Ethan Allen Hawley, whose name echoes the past, is a gay, unaggressive spirit working as a clerk for Alfio Marullo; like his father before him, Eth has lost the acquisitiveness of his forebears, and with it what remained of family fortune. At the age of thirty-six all he has left is the old Hawley place, a couple of frankly envious children, and the nest egg of $6500 which his patient, pretty Irish wife, Mary, inherited from her brother.
The meaning of Good Friday was burned into Ethan as a boy, and it is ironic that on this day a series of small provocations -- a bribe offered and rejected, a fortuneteller at her cards, a remark of Mary's that prodded under the skin -- should startle him from his rut and even launch him on a new career. Eth lends himself to the conspiracy of events in such a human, doubting-Thomas way that before he knows it he is in up to his knees. He has two charming accomplices in Margie and Mary, the one tempting, the other pushing, and the gradual debasement of his honesty is absorbing and rather shocking to watch. It all happens to so effortlessly.
That his years at Harvard and his prowess in World War II should have left Ethan so feckless and so incompetent must be taken on faith; these phases of his career are touched so lightly as to be superficial, but what is genuine, familiar, and identifiable is the way Americans beat the game: the land-taking before the airport is built, the quick bucks, the plagiarism, the abuse of trust, the near theft, which, if it succeeds, can be glossed over -- these are the guilts with which Ethan will have to live in his coming prosperity, and one wonders how happily. John Steinbeck was born to write of the sea coast, and he does so with savor and love. His dialogue is full of life, the entrapment of Ethan is ingenious, and the morality in this novel marks Mr. Steinbeck's return to the mood and the concern with which he wrote The Grapes of Wrath.
Favorite Passages:
Steinbeck has a way with words. There are several passages which I marked as I was reading this book.
pg 51....(Ethan Hawley about Mary) When she had gone up to the bathroom, I put my note to her in my pocket. And I still didn't know. Does anyone ever know even the outer fringe of an other? What are you like in there? Mary -- do you hear? Who are you in there?
pg 61.....(Ethan about Margie Young-Hunt) I had never seen her before. I wonder how many people I've looked at all my life and never seen. It's scary to think about. Point of reference again. When two people meet, each one is changed by the other so you've got two new people. Maybe that means ---hell, it's complicated. I agreed with myself to think about such things at night when I couldn't sleep. Forgetting to open on time scared me. ......
pg 70....(Ethan) I remember thinking how wise a man was H.C. Anderson. The king told his secrets down a well, and his secrets were safe. A man who tells secrets or stories must think of who is hearing or reading, for a story has a many version s as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure......
pg 257.....(Mr. Baker looking at Ethan after learning Ethan owned Danny's property) When the son of a bitch looked at me there was fear in him. He saw someone he hadn't known existed. It took him a moment to adjust to the stranger, but he was good. He adjusted.
pg 276...(Ethan after deciding not to commit suicide..about Ellen) I had to get back -- had to return the talisman to its new owner. Else another light might go out.
Thursday, February 7, 2008
Miracle in the Andes : 72 days on the Mountain and My Long Trek Home
Miracle in the Andes : 72 days on the Mountain and My Long Trek Home by Nando Parrado
Memoir, 2006, pg 284
Rating: 5.0 (5.0 Amazon)
Book Club: FL - Lakes Library - February, 2008
Recommendation: I enjoyed the book. Once started, it pulled you in, even though you knew what was going to happen. For me, the questions about God--- Why did God let this happen?.....Why did some die and others live? How does God answer prayers? Why are some "not" answered? ----are questions I've asked at times in my life, just recently with my nephew Jonathan's death from leukemia. This book, in Nando's discussion of how he dealt with this tradegy, raised many of the same questions....and Nando discussed them from his view and others.
I read the book in 2 days, and then went back and re-read some of the passages that dealt with "Why did this happen?" and as important...."How do you go on after you return to the 'world'"?
Summary:
From Publishers Weekly: In October 1972, a plane carrying an Uruguayan rugby team crashed in the Andes. Not immediately rescued, the survivors turned to cannibalism to survive and after 72 days were saved. Rugby team member Parrado has written a beautiful story of friendship, tragedy and perseverance. High in the Andes, with a fractured skull, eating the flesh of his teammates and friends, Parrado calmly ponders the cruelties of fate, the power of the natural world and the possibility of continued existence. "I would live from moment to moment and from breath to breath, until I had used up all the life I had." Parrado, who for the past 10 years has been giving inspirational talks based on his experiences, lost his mother and sister in the crash. Struggling to stay alive, his guide becomes his beloved father: "each [stride] brought me closer to my father... each step I took was a step stolen back from death." More than a companion to the 1970s bestselling chronicle of the disaster, Alive, this is a fresh, gripping page-turner that will satisfy adventure readers, and a complex reflection on camaraderie, family and love.
From School Library Journal: Adult/High School–In 1972, Parrado and his rugby teammates from Uruguay were flying to Chile to play a match against the national team. Crossing the Andes, the aircraft crashed on a remote, high-altitude, glaciated slope. This remarkable story of the survivors omits none of the raw intensity and brutality of their experience but is burnished by time, casting an analytical perspective on ways in which their subsequent lives were influenced by the ordeal. The many forms of courage exhibited and the sustaining power of love of family are the basis of the narrative as the group supported one another in a collective refusal to surrender to the mountain. Parrado credits their physical conditioning and the rigorous team ethic inherent in the sport as the foundation for the trust and allegiance that enabled the men to battle the odds. Reduced to the most elemental human needs and learning from a radio transmission that rescue efforts had been abandoned, they reluctantly realized that their only food source was the bodies of the victims. Parrado was respectful of the spiritual faith of those who clung to a belief in rescue, but put his energy into engineering a plan and acted as a leader of the expeditionaries who hiked through the perilous mountains to find help. A detailed chronicle of these events was presented in Piers Paul Read's Alive (Avon, 1975), but Parrado's memoir offers a reflective expansion of that work. Dramatic photographs are included
Favorite Passages:
pg 84....Nando talking with Arturo Nogueira, who suffered multiple painful fractures of both legs......"What good is God to us?" I replied.(Nando) "Why would he let my mother and sister die so senselessly? If he loves us so much, why does he leave is here to suffer?"
"You are angry at the God you were taught to believe in as a child," Arturo answered. "The God who is supposed to watch over you and protect you, who answered your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehensions. We can't understand His will; He can't be explained in a book. He didn't abandon us and He will not save us. He has nothing to so with our being here. God does not change, He simply is. I don't pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don't need angels or a heaven, because we are a part of God already."......
Memoir, 2006, pg 284
Rating: 5.0 (5.0 Amazon)
Book Club: FL - Lakes Library - February, 2008
Recommendation: I enjoyed the book. Once started, it pulled you in, even though you knew what was going to happen. For me, the questions about God--- Why did God let this happen?.....Why did some die and others live? How does God answer prayers? Why are some "not" answered? ----are questions I've asked at times in my life, just recently with my nephew Jonathan's death from leukemia. This book, in Nando's discussion of how he dealt with this tradegy, raised many of the same questions....and Nando discussed them from his view and others.
I read the book in 2 days, and then went back and re-read some of the passages that dealt with "Why did this happen?" and as important...."How do you go on after you return to the 'world'"?
Summary:
From Publishers Weekly: In October 1972, a plane carrying an Uruguayan rugby team crashed in the Andes. Not immediately rescued, the survivors turned to cannibalism to survive and after 72 days were saved. Rugby team member Parrado has written a beautiful story of friendship, tragedy and perseverance. High in the Andes, with a fractured skull, eating the flesh of his teammates and friends, Parrado calmly ponders the cruelties of fate, the power of the natural world and the possibility of continued existence. "I would live from moment to moment and from breath to breath, until I had used up all the life I had." Parrado, who for the past 10 years has been giving inspirational talks based on his experiences, lost his mother and sister in the crash. Struggling to stay alive, his guide becomes his beloved father: "each [stride] brought me closer to my father... each step I took was a step stolen back from death." More than a companion to the 1970s bestselling chronicle of the disaster, Alive, this is a fresh, gripping page-turner that will satisfy adventure readers, and a complex reflection on camaraderie, family and love.
From School Library Journal: Adult/High School–In 1972, Parrado and his rugby teammates from Uruguay were flying to Chile to play a match against the national team. Crossing the Andes, the aircraft crashed on a remote, high-altitude, glaciated slope. This remarkable story of the survivors omits none of the raw intensity and brutality of their experience but is burnished by time, casting an analytical perspective on ways in which their subsequent lives were influenced by the ordeal. The many forms of courage exhibited and the sustaining power of love of family are the basis of the narrative as the group supported one another in a collective refusal to surrender to the mountain. Parrado credits their physical conditioning and the rigorous team ethic inherent in the sport as the foundation for the trust and allegiance that enabled the men to battle the odds. Reduced to the most elemental human needs and learning from a radio transmission that rescue efforts had been abandoned, they reluctantly realized that their only food source was the bodies of the victims. Parrado was respectful of the spiritual faith of those who clung to a belief in rescue, but put his energy into engineering a plan and acted as a leader of the expeditionaries who hiked through the perilous mountains to find help. A detailed chronicle of these events was presented in Piers Paul Read's Alive (Avon, 1975), but Parrado's memoir offers a reflective expansion of that work. Dramatic photographs are included
Favorite Passages:
pg 84....Nando talking with Arturo Nogueira, who suffered multiple painful fractures of both legs......"What good is God to us?" I replied.(Nando) "Why would he let my mother and sister die so senselessly? If he loves us so much, why does he leave is here to suffer?"
"You are angry at the God you were taught to believe in as a child," Arturo answered. "The God who is supposed to watch over you and protect you, who answered your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehensions. We can't understand His will; He can't be explained in a book. He didn't abandon us and He will not save us. He has nothing to so with our being here. God does not change, He simply is. I don't pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don't need angels or a heaven, because we are a part of God already."......
Tuesday, January 29, 2008
The Uncommon Reader
The Uncommon Reader by Alan Bennett
Fiction, 2007, 120 pages
Rating: 4 (Amazon 4.5)
Recommended by: Dr. Elaine Newton (Phil's Critics Choice leader)
Recommendation: An interesting book, quick read, with insight into the power of literature.
Summary:
From Publishers Weekly: Briskly original and subversively funny, this novella from popular British writer Bennett (Untold Stories; Tony-winning play The History Boys) sends Queen Elizabeth II into a mobile library van in pursuit of her runaway corgis and into the reflective, observant life of an avid reader. Guided by Norman, a former kitchen boy and enthusiast of gay authors, the queen gradually loses interest in her endless succession of official duties and learns the pleasure of such a common activity. With the dawn of her sensibility... mistaken for the onset of senility, plots are hatched by the prime minister and the queen's staff to dispatch Norman and discourage the queen's preoccupation with books. Ultimately, it is her own growing self-awareness that leads her away from reading and toward writing, with astonishing results. Bennett has fun with the proper behavior and protocol at the palace, and the few instances of mild coarseness seem almost scandalous. There are lessons packed in here, but Bennett doesn't wallop readers with them. It's a fun little book.
From Bookmarks Magazine: .....A political and literary satire, it pokes fun at the British monarchy while revealing the lasting power of literature. Reviews suggest that "The Uncommon Reader" should be enjoyed like the sort of reading it espouses: casually, but with a sensitivity to serious things as well.
Favorite Passages:
pg 29:....'I can understand,' he said. 'Your Majesty's need to pass the time.'
'Pass the time?' said the Queen. 'Books are not about passing the time. They're about other lives. Other worlds. Far from wanting time to pass, Sir Kevin, one just wishes one had more of it......'
Fiction, 2007, 120 pages
Rating: 4 (Amazon 4.5)
Recommended by: Dr. Elaine Newton (Phil's Critics Choice leader)
Recommendation: An interesting book, quick read, with insight into the power of literature.
Summary:
From Publishers Weekly: Briskly original and subversively funny, this novella from popular British writer Bennett (Untold Stories; Tony-winning play The History Boys) sends Queen Elizabeth II into a mobile library van in pursuit of her runaway corgis and into the reflective, observant life of an avid reader. Guided by Norman, a former kitchen boy and enthusiast of gay authors, the queen gradually loses interest in her endless succession of official duties and learns the pleasure of such a common activity. With the dawn of her sensibility... mistaken for the onset of senility, plots are hatched by the prime minister and the queen's staff to dispatch Norman and discourage the queen's preoccupation with books. Ultimately, it is her own growing self-awareness that leads her away from reading and toward writing, with astonishing results. Bennett has fun with the proper behavior and protocol at the palace, and the few instances of mild coarseness seem almost scandalous. There are lessons packed in here, but Bennett doesn't wallop readers with them. It's a fun little book.
From Bookmarks Magazine: .....A political and literary satire, it pokes fun at the British monarchy while revealing the lasting power of literature. Reviews suggest that "The Uncommon Reader" should be enjoyed like the sort of reading it espouses: casually, but with a sensitivity to serious things as well.
Favorite Passages:
pg 29:....'I can understand,' he said. 'Your Majesty's need to pass the time.'
'Pass the time?' said the Queen. 'Books are not about passing the time. They're about other lives. Other worlds. Far from wanting time to pass, Sir Kevin, one just wishes one had more of it......'
Wednesday, October 24, 2007
Suspicion of Deceit
Suspicion of Deceit by Barbara Parker Fiction, 1998, 417 pages
Ratings: 3.5 (Amazon 3.5) Book Club: FL - Mystery - October, 2007 Summary: From Library Journal: Like Parker's first two novels (Suspicion of Innocence, LJ 12/93; Suspicion of Guilt, LJ 2/1/95), this thriller thrusts Miami lawyer Gail Connor into perils from which she emerges owing mostly to luck. Gail, now engaged to Cuban exile Anthony Quintera, also a Miami lawyer, provides legal counsel for the Miami Opera. A promising young singer, Thomas Nolan, is to star in Don Giovanni, but his connections with Castro's Cuba may cause trouble for the opera should they become known. From this rather interesting beginning, the plot wanders further and further afield, until the reader yearns for the inevitable murder. Politics, nostalgia of the Miami exile community, and conflicting memories or reports of Gail's fiance and friends bulk out the story, which hovers uneasily between episodes of Gail and Tony's lovemaking and Gail's getting herself into cliched predicaments (donning a wig to stake out her suspect's movements, breaking into the home of the chief suspect). Sadly, this series demeans both women lawyers and Miami Hispanics. Buy only if you live in Florida and have a lavish book budget. From Kirkus Reviews: Messy, overplotted third volume in Parker's Suspicion series (Suspicion of Guilt, 1995, etc.) continues the travails of Miami lawyer Gail Connor. Now on her own in a one-woman practice, Connor isn't getting many clients but is enjoying the low-key joys of taking her daughter to soccer games and doing pro bono work for the Miami Opera while spending every night in the arms of her fiance‚, Cuban-born super successful defense lawyer Anthony Quintana. At a swank Opera soiree, Connor learns that tenor Tom Nolan, who's booked to open the season, did a series of recitals two years before in Cuba. Though most of the ever-so-sleazy rich folks on the Opera's board couldn't care less about their star's employment history, the city's large population of anti-Castro Cuban refugees might well take offense. Quintana, hoping to be nothing more than Connor's escort, finds himself questioned by board members who are afraid that Quintana's brother-in-law, rabble-rousing anti-Castro radio talk-show host Octavio Reyes, might rally his listeners against them, possibly with the backing of Quintana's vehemently anti-Communist grandfather. While Quintana mutters about not being his brother-in-law's keeper, Connor discovers that her fiance‚ not only harbored Marxist sympathies 20 years previously, but accompanied some of the very same board members on an ill-fated pilgrimage to Nicaragua to help the Sandinistas, a trip resulting in the murder of Quintana's old American girlfriend by a Somozan thug. But was Quintana in any way responsible for her death? Parker plays on Connor's fears about her fiance's past while an assassin picks off members of the Opera board, all of whom have some connection to the Nicaraguan misadventure. The climax, in which Connor stalls for time by persuading the killer to play an opera recording, is too silly for words. All this, and piles of politically correct palaver about Miami's misunderstood Cuban exiles. Even Parker's fans might put this one down. Recommendation: Although the reviews do not recommend the book, I enjoyed the story. It gives the reader a view of the Miami Cuban community beyond the radical element. I enjoyed how Parker used "different" versions of Anthony and his friends experiences in Nicaragua to move the plot along, ending with Gail's own version of the story. I also enjoyed the part the stories from the operas "Don Giovanni" and "Aida" played in the novel. Not a thought provoking story, but an enjoyable summer read.
Ratings: 3.5 (Amazon 3.5) Book Club: FL - Mystery - October, 2007 Summary: From Library Journal: Like Parker's first two novels (Suspicion of Innocence, LJ 12/93; Suspicion of Guilt, LJ 2/1/95), this thriller thrusts Miami lawyer Gail Connor into perils from which she emerges owing mostly to luck. Gail, now engaged to Cuban exile Anthony Quintera, also a Miami lawyer, provides legal counsel for the Miami Opera. A promising young singer, Thomas Nolan, is to star in Don Giovanni, but his connections with Castro's Cuba may cause trouble for the opera should they become known. From this rather interesting beginning, the plot wanders further and further afield, until the reader yearns for the inevitable murder. Politics, nostalgia of the Miami exile community, and conflicting memories or reports of Gail's fiance and friends bulk out the story, which hovers uneasily between episodes of Gail and Tony's lovemaking and Gail's getting herself into cliched predicaments (donning a wig to stake out her suspect's movements, breaking into the home of the chief suspect). Sadly, this series demeans both women lawyers and Miami Hispanics. Buy only if you live in Florida and have a lavish book budget. From Kirkus Reviews: Messy, overplotted third volume in Parker's Suspicion series (Suspicion of Guilt, 1995, etc.) continues the travails of Miami lawyer Gail Connor. Now on her own in a one-woman practice, Connor isn't getting many clients but is enjoying the low-key joys of taking her daughter to soccer games and doing pro bono work for the Miami Opera while spending every night in the arms of her fiance‚, Cuban-born super successful defense lawyer Anthony Quintana. At a swank Opera soiree, Connor learns that tenor Tom Nolan, who's booked to open the season, did a series of recitals two years before in Cuba. Though most of the ever-so-sleazy rich folks on the Opera's board couldn't care less about their star's employment history, the city's large population of anti-Castro Cuban refugees might well take offense. Quintana, hoping to be nothing more than Connor's escort, finds himself questioned by board members who are afraid that Quintana's brother-in-law, rabble-rousing anti-Castro radio talk-show host Octavio Reyes, might rally his listeners against them, possibly with the backing of Quintana's vehemently anti-Communist grandfather. While Quintana mutters about not being his brother-in-law's keeper, Connor discovers that her fiance‚ not only harbored Marxist sympathies 20 years previously, but accompanied some of the very same board members on an ill-fated pilgrimage to Nicaragua to help the Sandinistas, a trip resulting in the murder of Quintana's old American girlfriend by a Somozan thug. But was Quintana in any way responsible for her death? Parker plays on Connor's fears about her fiance's past while an assassin picks off members of the Opera board, all of whom have some connection to the Nicaraguan misadventure. The climax, in which Connor stalls for time by persuading the killer to play an opera recording, is too silly for words. All this, and piles of politically correct palaver about Miami's misunderstood Cuban exiles. Even Parker's fans might put this one down. Recommendation: Although the reviews do not recommend the book, I enjoyed the story. It gives the reader a view of the Miami Cuban community beyond the radical element. I enjoyed how Parker used "different" versions of Anthony and his friends experiences in Nicaragua to move the plot along, ending with Gail's own version of the story. I also enjoyed the part the stories from the operas "Don Giovanni" and "Aida" played in the novel. Not a thought provoking story, but an enjoyable summer read.
Favorite Passages: The following passage was thought provoking, especially in light of the many versions of the Nicaraguan trip......After the dress rehearsal of Don Giovanni, Gail is talking with the opera star, Thomas Nolan, asking him about his piano teacher, Miss Wells...
page 381......The makeup gave him such odd eyes, pale blue outlined in dark brown. One black eyebrow was painted higher than the other in permanent ironic jest....."All the world's a stage, Gail, and reality is what you think it is."
"What is that supposed to mean?"
He saluted with his champagne. "Whatever you want it to mean...."
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